a whole pack of love for drum n bass combined in 3x12 feat. great sneaky remixes from known and unknown artists.

a-side brings a 45rpm mentalcore speed hardtechno, very progressive with some good bloody breaks, and bass changes! twirling stuff absed on a david green sample... playable at 33rpm.. b-side brings one 33rpm dub techno breakbeat track, very efficient, with a long dub intro, opening on a massive kick where it was expected. a real tune travelling into style and remaining dancefloor, this tune is a postal collaboration between lityk and vulpine smile from usa. one side 33 rpm boostables and one side 45 rpm playable 33rpm... a superb record we are very proud to co-produce with lityk.

the sub:stance vinyl only box set marks the 5th anniversary and final edition of the sub:stance night at berghain, marking its passing with 7 exclusive tracks by artists who have been central to its sound and prints of the legendary flyer artwork used to promote each event. sub:stance was the collision of two worlds – the vitality of uk bass music intertwined with berghain and all its sensory exhilaration and unique atmosphere....

for the first time ever, the ives brothers cult debut album is reissued, here in remastered format. spread across 13 folk electro-acoustic pieces, an english love ode mixed with a melonconic darkness that transcends any simple happy-hippy pigeon-holing to offer much more. emotional rescue is delighted to announce welcoming the enigmatic, electro-acoustic duo woo to the roster.

part 2 concludes killawatts largest body of music to date, the opposing rhetoric ep, a 6 track opus of truly progressive uk underground sound that melds his influences from dubstep and techno with expansive, high-tension sound design. the eps second triplet of beats feature his most overtly techno-focussed sounds yet, expanding his horizons and dropping the pace down to 125bpm, and delivers punishing dancefloor rigidity and bass-immersed sonic force. on black air, killawatt threads tightly coiled syncopations above a grinding 4×4 structure, and delivers a near-cacophonic but ultimately heavy full-sensory overload. the flipside is divided between the churning swell of dark industrial aesthetics on art of discourse, and the moody permutations of reactive technique, where rippling melodic shimmers provide accentuation to its pounding sub-density.

already played by dave clarke on his white noise radio show and hammered by hawtin at space opening. acid!!!(no words necessary...) super heavy pounding energetic 303 techno in clemens very own trademark dirty bass-heavy sound. this is the real pure acid shit - combining the raw power of mid 1990 s techno with the sound of now. as always on neufeld records: the vinyl 12inch contains a mix that you will only find here and will never be released digitally.

after the successfull acker009 and acker021, kotelett & zadak are back on the acker sister acker dub ! incl mollono.bass remix

1st pressing of 500 copies in limited embossed sleeve & 180g vinyl! bubbling with melodic intention julians foundation of deep bass drives us all forward in repetitions that hold fast in our minds & memories.

from the soul-stirring opening strains of ex friendlys sublime start to the people are looking at you imprint, it is clear that the emerging nottingham-based producer has a gift for music that travels further than mere surface physical response. in a scene littered with disposable vocal turns, the simple poetry of rich medinas narrative that runs through journeyman resonates perfectly with the yearning strings and low-slung, bass-rich groove that come to define this exquisite approach to deep house. jonno & tommo hone in on the more rhythmical elements with their own dub of journeyman as a clearer club-ready intent meets with the psychedelic potency of the aqueous sound effects and that ubiquitous string hook. whether reaching for a more meaningful dimension to add to a set, or to simply drift away on the cradling nature of the music and its message, it is clear from the outset that this is music built to last.

trotz zahlreicher nebenprojekte wie alexis taylors about group, joe goddards the 2 bears und einem vollgepackten tour-kalender, lassen uns hot chip nach ihrem erfolgs-album in our heads vom sommer 2012 auch in diesem jahr nicht im stich: die neue single dark and stormy erscheint am via domino! der typisch leichtfüßige hot chip-sound trifft auf eingängig groovende bass-lines und den soulig-melancholischen gesang alexis taylors. dabei herausgekommen ist ein elektrisierender dance-pop-song, der spätestens mit dem aah-ooh der bridge ganz fest im ohr hängen bleibt.

this ep on memento records sees alfonso leon take his production skills to the next level. vinyl compresors soulful melodies and tribal percussions are matched by a deliciously funky and luscious bass line, until acid synth stabs open the way to a low-pitched, creepy, almost manic dark vocal that crawls along the groove.
fabrizio maurizis unique taste resonates hugely in his remix: a computerised, robotic low frequency bounce underpins a loopy rework of the dreary vocal, bringing its more rhythmical and human elements to the fore, marrying them to the relentless beat. outstanding works, both tracks.

after successful releases on space breaks and shanti labels, petr serkin presents next one, on the new russian label! deep house tracks with warm groovy disco parts. the first side opens with very emotional breakdown treatment, next comes the dancefloor kicker freedom experience with solid low basement. on the other side you will find catch the flow, based on unstoppable guitar bass with some keys and licks. and the last one is ocean returns, a nice deep melodic disco-thing. supported by soulphiction / jackmate, franklin de costa, session victim, moodymanc...

you would think it would get harder for wilson head honcho, fabio monesi to keep achieving the same level of refinement with each release he puts on, but truth be told is that he simply just glides right over it with the third part of the spectacular underground warriors. bringing on the heavy weight all-stars fabio monesi, transitive elements aka enrico mantini, james johnston, upswing project aka alex agore the 90s revival movement ...

meta009 signals the long overdue return of a.i to metalheadz with the release of *dillirious / what you had* featuring steo on vocals. yet again metalheadz deliver another outstanding outing of sheer drum and bass brilliance adding yet another definitive release to their unrivalled catalogue of drum and bass future history.

dj w!ld is back, this time on crosstown offshoot rebellion with a stomping summer anthem featuring cari golden on vocals shape u. the original fuses the solid punch of a club weapon with the laidback feel of poolside disco, while the fur coat remake gives the track an entirely different sheen all chugging disco bass-line, dark synths and pitched down vocals. an aptly named wilder remix and dub from the producer ties up an unmissable ep

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

limited to only 250 copies, hand stamped white label. the 6th release and first e.p on need for mirrors own affiliated imprint zoltar.
deity features the vocal talents of nik toots, with a rich british rock voice this track has set its self apart from anything else currently available in drum and bass and has a heavy valve influence.
broken britain is a cinematic stepper, drenched in strings and drones and guitars. one for those who love the late 90s sound of dj krust.

rich vom dorf back on acker

step into brooms dojo and be met with a sausage apocalypse, as the uk techno magus flays alive your wildest dreams using his brace of bangers. with snake-like precision this chimera of the shadow realms pounds techno oblivion from his production line. sparks fly as gleaming loaves of acid-soaked brilliance fly out the bakehouse door, the master bakers eyes spinning like electronic roulette wheels - out of control under delirious bass weight. enshrouded in the blue haze of the shamans gourd pipe, mr mark broom is again set to blow the back doors off any club this side of basildon

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

terrence parker is a detroit legend and to celebrate this first edition of finally (terrence parker late night dub), in the pure house tradition with shaking bass, glamourous vocals, strings and piano, we decided to asked a remix to the one in france that keeps the houses flag high and strong: manoo. maya jane coles remixer, mixed on panorama bar 04 by nick höppner, signed on such labels as deeply rooted house, real tone record, ... with manoos remix, the vocal has been changed in an hypnotic mantra, synths are like rolling waves and the drum section is like a heartbeat. also two others remixers from the d!fus team lead the track in real different directions: laurent caligaris choosed the love and deep side: nostalgic and beautifull. maxco found the dark side of the deepness, miles away from the original reconstructed on rythmics, ambiance and deep synths.
already support from norm talley, ata, laurent garnier, fabrice lig, enola, claude monnet, grego g, patrick vidal, arno gonzalez, anton x, krispaglia ...

m.in and safado are bringing joy to dance floor this summer with two new perky productions. love goes crash* featuring safado, the eps first track, is a bit darker, deeper in its intention yet as seductive as the second track. sunshine, the second track, is an uplifting and exhilarating tune with a groovy bass and melody conduction.these tunes will make ravenous asses shake excessively on every dance floor. on the flip find dj le roi retouching the sunshine and beatamines remodeling love goes crash. both laid hand delicately and remade each track in their own distinctive way.
dont miss the sunshine - it will make you feel fine!

the a side opens with redence delusions introduced by a delay metallic notes, and a line grating background that give entry to a hard nut to crack hype joining the above sequence to form the groove. the delays become more important as the track progresses, and more incisive percussion, dance inducing wilder. the second track on this side sagae has been granted to tomohiko sagae, the japanese producer emerges on the scene to give it a fresh industrial sounds dark dye forcefully included. catalog is part of the prestigious british label rodz-konez, in addition to works published in huehelix and atrocity. we present a cut with a pounding bass drum rhythmic against a distorted sequence taken from a radar air booming steel industry, and dark piercing screams that increase the intensity of its entirety through the plug-in more severe. a full-blown rebellion industrial sounds with those harmonics so peculiar that offers japanese school.

cutters records are pleased to announce the debut vinyl (and vinyl only!) release from their latest signing, the la based artist kauf. since 2011 he has been honing his own dark twist on modern electronic music, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony indie pop earning comparisons with the likes of caribou, matthew dear and toro y moi. an internet-only single caught the ears of cut copys frontman dan whitford, who promptly signed him for a forthcoming ep, entitled as much again on cutters records. the first taste of this ep comes in the form of the relocate 12 inch, including remixes by psychemagik, nile delta and moons. kaufs relocate is an dark anthem for the late-night-slow-dance, featuring sparse metallic percussion, chugging synth bass and vocals drowning in a sea of reverb. psychemagik take this vibe and run with it for their 7 minute house tinged rework. cutters own nile delta ups the energy with his signature acid-injection and moons (no recordings) rounds out the release.

for the 13th release from paris ghetto club label, clekclekboom turns to coni, the man who released their sophomore effort in december 2011. the ep also marks the start of a new artwork series featuring futurist portraits of the artists. conis *my secret diving* shows a distinct progression in the young parisians sound since 2011s highly popular *luz in the pool / suma / crush*. whereas the former was aimed at peak-hour clubbing with upbeat house rhythms, 808s and big bass lines, *my secret diving* takes a more relaxed and confident approach.

nice price deal !!! we have been following belgian producer ozka for quite some time whether it be techno, house, electronica or bass music: he has a unique take on it and it always sounds fresh.

after a string of successful releases on labels such as diapham and local talk, greek producer kindimmer joins forces with instinkt to deliver a deep and tasteful slice of heavy dance floor funk. already respected for his trademark tech-infused sounds, kindimmer goes one further on this ep with swinging percussion and infectious bass hooks.

raised in haifa, israel, now located in amsterdam, this duo of sonic explorers have had acclaimed releases on a host of cult labels like psychostasia, underground quality, dekmantel & many more. having already released the incredible *release the golem pt. 1* & *jewsex* on everyones favourite nyc label, the pair make ready with their most claustrophobic and menacing outing yet. the original version on the a side stays in the same tempo territory as their dekmantel classic *african flower* but concocts a much more spacious and heady atmosphere, reminiscent of mark gages vapourspce project. side b takes us directly to the dancefloor, utilising the same bubbling bass sequence but transposing it onto a devastingly propulsive rhythm track, like the angry cousin of their *bleached roots* and *powow* classics. a formidablle force in modern dance music, at the height of their powers!

opener getting run down loops up a nagging hip hop sample over skittering dukey beats and washes drifting pads and spacey keys over the top for a hypnotic late night groover. reach out goes at a calmer pace, but revolves around intense builds, insistent polyrhythms and detroity riffs for a bit of hypnagogic drama. on memix duties, om unit does what you hope hes going to do, injecting reach out with seemingly infinite swathes of space and bottom end, looping about at his own pace, but with that constant sense of om unit purpose. nphonix closes out proceedings with a tweaky, rubbery acid style workout that will find friends in bass and house camps.

the mysterious duo strangers in heaven strike back on souvenir! after their first highly acclaimed release last year and their remix of souvenir bosses, tiefschwarz, the boys return with a strong two tracker. first track, set me free, is a deep groover which features jonny cruzs incredibly melodic voice. the same track gets a decidedly deeper once over from none other than, eric volta (ellum, visionquest). on the flip, the future is a miami bass vs. techno tune with some real old school house feeling injected into it, featuring the unmistakable voice of the wondrous navid izadi(wolf+lamb, soulclap).

just as summer arrives, sylphes bosses holdie gawn & micawber are delivering their third ep hypofermsenso. on the a side hypoferm has holdie gawns trademark sound, with analogue bouncy warm snares and hi-hats, accompanied by synthesized modulations and raw filtering action, forming a chuggy, sleek rhythm with deep reaching basslines and a lot of movement. on the flip, micawbers -senso- offers a tribute to experimental composer john cage by incorporating parts of his vocal works into creating a landscape of mysticism, riding along sub-bass tones and syncopated drums, an afterhours number with a psychedelic twist

some more excellent modern house tracks from the north! boska with his second release on love od, and slowly gets a reputation for himself as a trustworthy provider of quality music on the post bass, nu-funky, what-is-the-new-name-for-house-music-this-week -circuit. did collaborations with studio barnhus, mental overdrive, asma maroof (nguzunguzu) attented the rbma, got picked by several cool festivals. boska is a name to watch for sure!

deep shit is brought to you by jack savidge of friendly fires and edwin congreave of foals. deep shit is the newly founded dj collective, promotor and vinyl only record label based in the capital with a celebrity status. the label was founded by indie superstars jack savage of friendly fires and edwin congreave of foals as well as adam parylak. managing to work a glitzy electro pop into their day jobs in the underbelly the trio have a fancy for the deep sounds of future bass music. the debut release from the deep shit label came last year from congreave with the afterhours moody house monster heal, including remix by a1 bassline.

canadian artist paolo rocco makes his debut on saved with people say. from the top there is a unique seductive pad that pans creatively over the cut back percussion. the bass line enters early on and stands out with its original pattern and alternating frequencies, working well with the crisp clap that programmes itself in and out. the vocals are what makes the track. they are catchy just like the bass line, and are processed effectively, maintaining a nice, fresh groove.
over on the flip side is a remix from label boss nic fanciulli that utilises the original parts effectively and maintains an energetic pace with smart programming. both mixes have been creating a real buzz across scene.

after a pure, bass line driven dj tool from andy blake, jackoff is back to deeper more emotive house with this new ep from bostons brenden wesley and john barera. john barera, co-founder of supply records and one half of b-tracks, teamed up with local boston hero brenden wesley to create kickdrum industrie.four tracks that have been tested on the dance floors of europe for the past year and keep on giving.

two giants in dance music, totally enormous extinct dinosaurs (aka teed) & eats everything, join forces for a beast of a release on crosstown rebels. the exclusive track on the forthcoming get lost vi mixed by teed, lion, the lion is a ferocious dance-floor destroyer with a crackling, tough exterior pierced by rave fx and suspended by deeper elements creeping into the mix. remixes come courtesy of dutch producer and 4lux boss, gerd, who turns in a more swinging and suitably bass heavy sub-tech mix with added synth-line as well as a deep dub version.

as apple pips continues to explore its opening mantra of echo, depth, swing and bass within the duplicitous realms of modern electronica, it welcomes to the fold two long-standing friends of the label and in turn sheds light on their own fresh avenues within house music. you might already know lrusse as id or behling, commonly found kicking up the dust alongside sam baobinga simpson in all manner of styles and tempos, while bleecker has an accomplished back-story in dubstep as wedge & through his own if symptoms persist imprint. in their new venture both producers fuse their dancefloor inclinations with more searching, experimental textures and tones, placing crafty sound design on a level pegging with the more immediate tropes of groove and presence.

wheel & deal records presents the long awaited first album from the young, eclectic and talented dj / producer benton. following a stirling release catalog with wheel & deal, benton gives us his deep, dark dose of uk bass. benton brings dubstep, dnb, jungle, garage, acid house, dub & grime in to the mix, showing a knowledge of underground dance music but with a fresh, unique take on genre. reflections is a innovative and deep musical journey.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark green, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

the third release on orre is a mini-album recorded live by nate wooley (on trumpet and amplifier), daniele martini (on tenor sax), giovanni di domenico (on fender rhodes and electronics), hugo antunes (on double bass) and chris corsano (on drums) in les ateliers claus in brussels on may 27, 2012. this improvisation is essentially a free jazz exploration that uses an abstracted, almost classical jazz template

panic girl returns with her long awaited first studio album lowlands to be released on infiltrator records, following the critically-acclaimed burn and rise ep and the panic girl remix ep, which joined together artists like dbridge, phace and duo infernale.
this 12-track lp is a very personal and unique journey into the mind of panic girl, exploring the depths, dark corners and sparkling mysteries of trip hop and electronica and not only thrusts panic girl to new heights, but is also highly addictive and deeply enchanting. with this album panic girl is further developing her own sound, taking in haunting melodies, a love of the bass, heavy synth work and oldskool sounds. lowlands will leave you wanting to hear more and is going to be an album to treasure for sure - if you let her take you on a spellbinding journey into her raw, dark and pure electronica universe.

marc scholls second release on the mother imprint cecille this time with a bass culture label head djulz remix. watch out for this!! supported by: adam beyer, tiefschwarz, nick curly, danny tenaglia, gregor tresher, karotte, shinedoe, dj sasha, paul c, paolo martini, markus fix, slam, emanuel satie, nekes, bunte bummler

julie marghilano and miss jools team up on chasing illusions for the 5th release on hypertone. the original mix features mz sunday luv and brings bass laden beats speckled with seductive vocals. noel jackson drops a hot percussion heavy mix while scott kemp & cris j strip down the original. limited to 250 copies and no repress

it is no secret that ben watt has chosen to close his acclaimed label buzzin fly to new music after ten great years as one of the uks leading dance independents. but the label has chosen to go out with a bang with one final single. unearthed from the vaults are two dazzling tracks from cornerstone artists, rodamaal, and manoo and francios a. rodamaals fortune was originally completed back in 2007 but scheduling problems prevented it from being released at the time. produced by the franco-portuguese trio (rocco, darkmountaingroups alex santos and manoo) it is a stark but emotionally-charged deep-techno masterpiece, that deserves its place alongside their other classics for the label, musica feliz and insomnia. on the flip, and originally produced in 2005, is other places a long-lost track by manoo and francois a. full of summer shimmer and heavy bass tones, it was produced by the duo during their heyday at the label, and was a secret favourite of label boss, ben watt. two perfect swansongs. buzz buzz.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark blue, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

ltd 2013 repress
prime numbers return with m7. the first side is taken by a remix of wireman’s >armour<, the original of which was included on pn04 released at the end of last year. the remix is from move d (deep space network, source records), he ups the tempo and in trademark fashion softens the surfaces of the original, warming the core of the track whilst creating a bass heavy groove with twisting beats, synths and a husky hypnotic vocal sample. the flip includes two tracks. to start we have >crushed< by actress. darren j. cunningham aka actress runs the much lauded werk records and this track is taken from his limited cd only album >hazyville< (released on werk in the autumn of last year ) >crushed< is slo-mo, extra bass heavy, low slung house with an addictive lofi synth riff and submerged strings. the track bumps along with hiss and crackle to good affect before turning into a badalamenti-esque loop to finish. to round things off be, the up & coming manchester based producer provides >when you left<. be cut his teeth with the chicago based still music and a great al hudson reedit which found extensive dj support on its release. >when you left< is a shuffling downbeat house groove with a jazz sentiment featuring deep rhodes keys and clipped drums, the track breaks up into a bluesy accapella section then builds up to a more direct 4/4 groove to the end

gel bosoni presents his new single feat. lukash (from project taste of honey). the original mix has a powerful moog bass and a deep atmosphere. the remix, by taste of honeys crew, is purely for fans of clubbing, enjoy!

der dritte raum dispenses with the pleasantries and hammers the sound system with his 12inch named doppeldecker ep from the upcoming album morgenland. what comes out is an artful and smartly grooving four-to-the-floor bass drum affine in a state-of-the-art der dritte raum style. all four tracks on the vinyl will conquer the hearts of connaisseurs and surely please the new tasteful modernists as well